Between Here and There 2
- Key
- 6A · G minor
- BPM
- 180
- Half-time
- 90
- Open Key
- 11m
- Energy
- 25/100
- Pop
- 0/100
- Length
- 5:07
- Released
- 2009
- Genre
- Drum N Bass
- Loudness
- -12.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Between Here and There 2 is a drum n bass track in G minor (6A) at 180 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Faster than 99% of Sigma's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Sigma's catalogue
- Energy:
- calmer than 98% of Sigma's catalogue
- Brightness:
- darker than 95% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Between Here and There 2 in?
Between Here and There 2 by Sigma is in G minor, or 6A on the Camelot wheel.
What BPM is Between Here and There 2?
Between Here and There 2 runs at 180 BPM.
What mixes well with Between Here and There 2?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Between Here and There 2 good for peak time?
With energy 25 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 180 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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