Deserted Vault (instrumental 12" mix)
30s preview
- Key
- 4A · F minor
- BPM
- 180
- Half-time
- 90
- Open Key
- 9m
- Energy
- 46/100
- Pop
- 26/100
- Length
- 3:14
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -9.6 dB
- Dynamics
- 15.5 dB
- ISRC
- GBCCH0000295
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Deserted Vault (instrumental 12" mix) sits in F minor (4A) at 180 BPM. The feel is dark and steady. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 2000 production that still circulates in sets. Calmer than 97% of LTJ Bukem's catalogue.
- Tempo:
- faster than 95% of LTJ Bukem's catalogue
- Reach:
- more underground than 78% of LTJ Bukem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Deserted Vault (instrumental 12" mix) in?
Deserted Vault (instrumental 12" mix) by LTJ Bukem is in F minor, or 4A on the Camelot wheel.
What BPM is Deserted Vault (instrumental 12" mix)?
Deserted Vault (instrumental 12" mix) runs at 180 BPM.
What mixes well with Deserted Vault (instrumental 12" mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Deserted Vault (instrumental 12" mix) good for peak time?
With energy 46 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 180 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More drum n bass
More from LTJ Bukem
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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