Blame
- BPM
- 175
- Half-time
- 88
- Open Key
- 5m
- Energy
- 50/100
- Pop
- 15/100
- Length
- 5:15
- Released
- 2012
- Genre
- Drum N Bass
- Loudness
- -8.3 dB
- ISRC
- GBYEY1200043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Blame is a drum n bass track in D♭ minor (12A) at 175 BPM. The feel is bright and easy. The mix is almost entirely instrumental. Spoken-word passages run through it. A 2012 production that still circulates in sets. Brighter than 98% of Hybrid Minds's catalogue.
- Energy:
- calmer than 97% of Hybrid Minds's catalogue
- Groove:
- groovier than 96% of Hybrid Minds's catalogue
- Tempo:
- faster than 86% of Hybrid Minds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Blame in?
Blame by Hybrid Minds is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Blame?
Blame runs at 175 BPM.
What mixes well with Blame?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Blame good for peak time?
With energy 50 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 175 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Hybrid Minds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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