Heavy Rotation by Roni Size cover art

Heavy Rotation

Roni Size

30s preview

Key
3A · B♭ minor
BPM
180
Half-time
90
Open Key
8m
Energy
45/100
Pop
0/100
Length
3:15
Released
2000
Album
In The Mode
Genre
Drum N Bass
Loudness
-6.5 dB
Dynamics
10.3 dB
ISRC
GBF080000221

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 180 BPM in B♭ minor (3A), Heavy Rotation is a drum n bass production. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2000 production that still circulates in sets. Calmer than 99% of Roni Size's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
faster than 99% of Roni Size's catalogue
Reach:
more underground than 99% of Roni Size's catalogue
Low end:
more bass-heavy than 84% of Roni Size's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood59Balanced
Groove55
Acoustic0
Instrumental94
Live18
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Heavy Rotation in?

Heavy Rotation by Roni Size is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Heavy Rotation?

Heavy Rotation runs at 180 BPM.

What mixes well with Heavy Rotation?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Heavy Rotation good for peak time?

With energy 45 out of 100 at 180 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 180 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 180 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Roni Size

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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