Winter In The Woods - Jody Wisternoff & James Grant Remix
30s preview
- Key
- 9A · E minor
- BPM
- 155
- Half-time
- 78
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 8/100
- Length
- 4:20
- Released
- 2022
- Album
- Winter In The Woods (Jody Wisternoff & James Grant Remix)
- Genre
- Progressive House
- Loudness
- -6.7 dB
- Dynamics
- 11.6 dB
- ISRC
- GBEWA2202360
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Winter In The Woodsoriginal9B · 120
- Winter in the Woodsoriginal9B · 131
Against the original (9B at 120 BPM), this version runs 35 BPM faster and moves the key from 9B to 9A.
Winter In The Woods - Jody Wisternoff & James Grant Remix is a fast progressive house track in E minor (9A) at 155 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 98% of Leaving Laurel's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 98% of Leaving Laurel's catalogue
- Groove:
- less groove-driven than 89% of Leaving Laurel's catalogue
- Low end:
- more treble-tilted than 83% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Winter In The Woods - Jody Wisternoff & James Grant Remix in?
Winter In The Woods - Jody Wisternoff & James Grant Remix by Leaving Laurel is in E minor, or 9A on the Camelot wheel.
What BPM is Winter In The Woods - Jody Wisternoff & James Grant Remix?
Winter In The Woods - Jody Wisternoff & James Grant Remix runs at 155 BPM, a fast track.
What mixes well with Winter In The Woods - Jody Wisternoff & James Grant Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Winter In The Woods - Jody Wisternoff & James Grant Remix good for peak time?
With energy 91 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 155 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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