Winter in the Woods
30s preview
- Key
- 9B · G major
- BPM
- 131
- Open Key
- 2d
- Energy
- 77/100
- Pop
- 1/100
- Length
- 4:20
- Released
- 2021
- Genre
- Progressive House
- Loudness
- -11.0 dB
- Dynamics
- 11.4 dB
- ISRC
- GBEWA2104550
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Winter In The Woodsoriginal9B · 120
- Winter In The Woods - Jody Wisternoff & James Grant Remixremix9A · 155
Winter in the Woods runs 131 BPM in G major (9B), a peak-time tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 94% of Leaving Laurel's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 81% of Leaving Laurel's catalogue
- Energy:
- hotter than 77% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Winter in the Woods in?
Winter in the Woods by Leaving Laurel is in G major, or 9B on the Camelot wheel.
What BPM is Winter in the Woods?
Winter in the Woods runs at 131 BPM, a peak-time tempo track.
What mixes well with Winter in the Woods?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Winter in the Woods good for peak time?
With energy 77 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![So Much In Love (ASOT 1132) [Tune Of The Week] - Armin van Buuren Remix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e0242c7cd4da3e6e67d0894be57){kind=small}
How to mix it
In 9B at 131 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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