Skin & Bone by Kink cover art

Skin & Bone

Kink

30s preview

Key
10A · B minor
BPM
141
Half-time
71
Open Key
3m
Energy
75/100
Pop
0/100
Length
3:38
Released
1971
Album
Muswell Hillhillies
Genre
Techno
Loudness
-8.5 dB
Dynamics
15.1 dB
ISRC
USKO10403105

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Skin & Bone: driving up-tempo techno, B minor (10A), 141 BPM. It reads as bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 1971 production that still circulates in sets. More underground than 99% of Kink's catalogue. For programming, treat it as a high-intensity peak cut.

Brightness:
brighter than 95% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood95Bright
Groove63
Acoustic47
Instrumental11
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Skin & Bone in?

Skin & Bone by Kink is in B minor, or 10A on the Camelot wheel.

What BPM is Skin & Bone?

Skin & Bone runs at 141 BPM, a driving up-tempo track.

What mixes well with Skin & Bone?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Skin & Bone good for peak time?

With energy 75 out of 100 at 141 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 141 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track