Hallelujah - Roy's 1999 Future Remix
30s preview
- Key
- 9B · G major
- BPM
- 135
- Open Key
- 2d
- Energy
- 53/100
- Pop
- 0/100
- Length
- 11:20
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -13.3 dB
- Dynamics
- 14.8 dB
- ISRC
- USA670601783
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
Against the original (3A at 124 BPM), this version runs 11 BPM faster and moves the key from 3A to 9B.
Hallelujah - Roy's 1999 Future Remix runs 135 BPM in G major (9B), a driving up-tempo deep house record. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 1996 production that still circulates in sets. Faster than 99% of Kerri Chandler's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Kerri Chandler's catalogue
- Energy:
- calmer than 92% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Roy's 1999 Future Remix in?
Hallelujah - Roy's 1999 Future Remix by Kerri Chandler is in G major, or 9B on the Camelot wheel.
What BPM is Hallelujah - Roy's 1999 Future Remix?
Hallelujah - Roy's 1999 Future Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Hallelujah - Roy's 1999 Future Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Hallelujah - Roy's 1999 Future Remix good for peak time?
With energy 53 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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