
Crazy (feat. Natalie Williams)
- Key
- 7A · D minor
- BPM
- 125
- Open Key
- 12m
- Energy
- 79/100
- Pop
- 8/100
- Length
- 3:51
- Released
- 2022
- Album
- The Start of No Regret
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- ISRC
- USSM12108355
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Crazy (feat. Natalie Williams): club-tempo drum n bass, D minor (7A), 125 BPM. The feel is dark and driving. Groovier than 82% of Goldie's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Crazy (feat. Natalie Williams) in?
Crazy (feat. Natalie Williams) by Goldie is in D minor, or 7A on the Camelot wheel.
What BPM is Crazy (feat. Natalie Williams)?
Crazy (feat. Natalie Williams) runs at 125 BPM, a club-tempo track.
What mixes well with Crazy (feat. Natalie Williams)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Crazy (feat. Natalie Williams) good for peak time?
With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 125 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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