Split The Atom - Radio Edit
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2010
- Album
- Split The Atom EP
- Genre
- Drum N Bass
- Loudness
- -4.8 dB
- ISRC
- NLCK41000172
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Split The Atom - XOHNE Remixremix9B · 176
- Split The Atom - (ft. Foreign Beggars) (Nikki Nair Remix)remix9B · 104
- Split The Atomoriginal9B · 125
- Split The Atom - Bar 9 Remixremix10A · 140
- Split The Atom - Ed Rush & Optical Mixoriginal9B · 173
Against the original (9B at 125 BPM), this version holds the same tempo in the same key.
Split The Atom - Radio Edit runs 125 BPM in G major (9B), a club-tempo drum n bass record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2010 production that still circulates in sets. More underground than 99% of Noisia's catalogue.
- Brightness:
- brighter than 78% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Split The Atom - Radio Edit in?
Split The Atom - Radio Edit by Noisia is in G major, or 9B on the Camelot wheel.
What BPM is Split The Atom - Radio Edit?
Split The Atom - Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Split The Atom - Radio Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Split The Atom - Radio Edit good for peak time?
With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.