I Like It by Luke Slater cover art

I Like It

Luke Slater

30s preview

Key
4B · A♭ major
BPM
125
Open Key
9d
Energy
69/100
Pop
2/100
Length
6:37
Released
1992
Genre
Techno
Loudness
-13.9 dB
Dynamics
19.4 dB
ISRC
GBBMQ0700478

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I Like It: club-tempo techno, A♭ major (4B), 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 1992 production that still circulates in sets. More treble-tilted than 93% of Luke Slater's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 92% of Luke Slater's catalogue
Brightness:
brighter than 91% of Luke Slater's catalogue
Groove:
groovier than 89% of Luke Slater's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood82Bright
Groove77
Acoustic0
Instrumental91
Live10
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is I Like It in?

I Like It by Luke Slater is in A♭ major, or 4B on the Camelot wheel.

What BPM is I Like It?

I Like It runs at 125 BPM, a club-tempo track.

What mixes well with I Like It?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is I Like It good for peak time?

With energy 69 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Luke Slater

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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