On My Mind (Version One)
30s preview
- BPM
- 125
- Open Key
- 10d
- Energy
- 75/100
- Pop
- 12/100
- Length
- 4:58
- Released
- 2014
- Genre
- Uk Garage
- Loudness
- -9.5 dB
- Dynamics
- 9.5 dB
- ISRC
- QMDA71474443
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in E♭ major (5B), On My Mind (Version One) is a club-tempo uk garage production. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Less groove-driven than 99% of Flava D's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 94% of Flava D's catalogue
- Brightness:
- darker than 87% of Flava D's catalogue
- Tempo:
- slower than 81% of Flava D's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is On My Mind (Version One) in?
On My Mind (Version One) by Flava D is in E♭ major, or 5B on the Camelot wheel.
What BPM is On My Mind (Version One)?
On My Mind (Version One) runs at 125 BPM, a club-tempo track.
What mixes well with On My Mind (Version One)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is On My Mind (Version One) good for peak time?
With energy 75 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 125 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Flava D
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.