Mr Everybody - MISS DRE Remix
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 3:52
- Released
- 2022
- Album
- Mr Everybody (Remixes)
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 10.4 dB
- ISRC
- GBKQU2226862
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr Everybodyoriginal11B · 125
- Mr Everybody - Christian Martin Remixremix8A · 124
- Mr Everybody - Deep Dub Mixversion6A · 123
- Mr Everybody - Pitter Patter Remixremix8B · 126
- Mr Everybody - Teknicoz & Cross Remixremix2B · 124
Against the original (11B at 125 BPM), this version runs 1 BPM faster and moves the key from 11B to 4A.
Mr Everybody - MISS DRE Remix: club-tempo house, F minor (4A), 126 BPM. It reads as dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Gene Farris's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 91% of Gene Farris's catalogue
- Groove:
- less groove-driven than 78% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Mr Everybody - MISS DRE Remix in?
Mr Everybody - MISS DRE Remix by Gene Farris is in F minor, or 4A on the Camelot wheel.
What BPM is Mr Everybody - MISS DRE Remix?
Mr Everybody - MISS DRE Remix runs at 126 BPM, a club-tempo track.
What mixes well with Mr Everybody - MISS DRE Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Mr Everybody - MISS DRE Remix good for peak time?
With energy 74 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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