Mr Everybody - Deep Dub Mix
- Key
- 6A · G minor
- BPM
- 123
- Open Key
- 11m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 2022
- Album
- Mr Everybody (Remixes)
- Genre
- House
- Loudness
- -4.5 dB
- ISRC
- GBKQU2226858
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr Everybodyoriginal11B · 125
- Mr Everybody - Christian Martin Remixremix8A · 124
- Mr Everybody - MISS DRE Remixremix4A · 126
- Mr Everybody - Pitter Patter Remixremix8B · 126
- Mr Everybody - Teknicoz & Cross Remixremix2B · 124
Against the original (11B at 125 BPM), this version runs 2 BPM slower and moves the key from 11B to 6A.
A club-tempo house cut, Mr Everybody - Deep Dub Mix sits in G minor (6A) at 123 BPM. The groove is strong and floor-ready. The master is loud and heavily compressed. More underground than 99% of Gene Farris's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 89% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mr Everybody - Deep Dub Mix in?
Mr Everybody - Deep Dub Mix by Gene Farris is in G minor, or 6A on the Camelot wheel.
What BPM is Mr Everybody - Deep Dub Mix?
Mr Everybody - Deep Dub Mix runs at 123 BPM, a club-tempo track.
What mixes well with Mr Everybody - Deep Dub Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Mr Everybody - Deep Dub Mix good for peak time?
With energy 89 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 123 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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