Be There by Kerri Chandler cover art
Key
9B · G major
BPM
123
Open Key
2d
Energy
88/100
Pop
0/100
Length
4:46
Released
1997
Album
Mix The Vibe: Kaoz On King Street
Genre
Deep House
Loudness
-7.0 dB
ISRC
USA670400291

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Be There is a club-tempo deep house track in G major (9B) at 123 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 1997 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 84% of Kerri Chandler's catalogue
Brightness:
brighter than 79% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood75Bright
Groove77
Acoustic0
Instrumental6
Live8
Speech18

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Be There in?

Be There by Kerri Chandler is in G major, or 9B on the Camelot wheel.

What BPM is Be There?

Be There runs at 123 BPM, a club-tempo track.

What mixes well with Be There?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Be There good for peak time?

With energy 88 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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