Be There - Kaoz Drum
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 1997
- Album
- Kaoz On King Street, Chapter 2
- Genre
- Deep House
- Loudness
- -7.0 dB
- Dynamics
- 12.0 dB
- ISRC
- USA670601914
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be There - Club Mix Instrumentalversion11A · 123
- Be There - Dub Mixversion9B · 123
- Be There - Club Mixversion11A · 123
- Be Thereoriginal9B · 123
At 123 BPM in D♭ major (3B), Be There - Kaoz Drum is a club-tempo deep house production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 1997 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 98% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Be There - Kaoz Drum in?
Be There - Kaoz Drum by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is Be There - Kaoz Drum?
Be There - Kaoz Drum runs at 123 BPM, a club-tempo track.
What mixes well with Be There - Kaoz Drum?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Be There - Kaoz Drum good for peak time?
With energy 99 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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