Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix
30s preview
- BPM
- 123
- Open Key
- 7d
- Energy
- 99/100
- Pop
- 10/100
- Length
- 3:21
- Released
- 2016
- Album
- Baby Can You Reach (Roog & Dennis Quin Tribute to the Maestro Mix)
- Genre
- House
- Loudness
- -2.8 dB
- Dynamics
- 11.6 dB
- ISRC
- NLF712307633
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix: club-tempo house, F♯ major (2B), 123 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Hotter than 99% of Todd Terry's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 91% of Todd Terry's catalogue
- Reach:
- better known than 89% of Todd Terry's catalogue
- Brightness:
- darker than 88% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix in?
Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix by Todd Terry is in F♯ major, or 2B on the Camelot wheel.
What BPM is Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix?
Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix runs at 123 BPM, a club-tempo track.
What mixes well with Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Mix good for peak time?
With energy 99 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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