Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix by Todd Terry cover art

Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix

Todd Terry

Key
9B · G major
BPM
123
Open Key
2d
Energy
99/100
Pop
1/100
Length
5:38
Released
2016
Album
Baby Can You Reach (Roog & Dennis Quin Tribute to the Maestro Mix)
Genre
House
Loudness
-3.9 dB
ISRC
USMKQ1600074

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2B at 123 BPM), this version holds the same tempo and moves the key from 2B to 9B.

Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix runs 123 BPM in G major (9B), a club-tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Hotter than 99% of Todd Terry's catalogue.

Brightness:
darker than 99% of Todd Terry's catalogue
Tempo:
slower than 91% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood4Dark
Groove81
Acoustic0
Instrumental95
Live4
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix in?

Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix by Todd Terry is in G major, or 9B on the Camelot wheel.

What BPM is Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix?

Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix runs at 123 BPM, a club-tempo track.

What mixes well with Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Baby Can You Reach - Roog & Dennis Quin Tribute to the Maestro Extended Mix good for peak time?

With energy 99 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.