Be There - Club Mix Instrumental
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 6/100
- Length
- 8:41
- Released
- 1997
- Album
- Be There
- Genre
- Deep House
- Loudness
- -5.1 dB
- Dynamics
- 12.7 dB
- ISRC
- USA671100296
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be There - Dub Mixversion9B · 123
- Be There - Club Mixversion11A · 123
- Be There - Kaoz Drumoriginal3B · 123
- Be Thereoriginal9B · 123
Against the original (3B at 123 BPM), this version holds the same tempo and moves the key from 3B to 11A.
At 123 BPM in F♯ minor (11A), Be There - Club Mix Instrumental is a club-tempo deep house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 1997 production that still circulates in sets. Hotter than 93% of Kerri Chandler's catalogue.
- Groove:
- groovier than 93% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
- Low end:
- more treble-tilted than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Be There - Club Mix Instrumental in?
Be There - Club Mix Instrumental by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Be There - Club Mix Instrumental?
Be There - Club Mix Instrumental runs at 123 BPM, a club-tempo track.
What mixes well with Be There - Club Mix Instrumental?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Be There - Club Mix Instrumental good for peak time?
With energy 95 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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