Everybody Get on the Floor
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 7/100
- Length
- 5:29
- Released
- 2017
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 10.5 dB
- ISRC
- USZ9A1746601
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Everybody Get on the Floor runs 123 BPM in F minor (4A), a club-tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Brighter than 96% of Kevin McKay's catalogue.
- Energy:
- hotter than 88% of Kevin McKay's catalogue
- Tempo:
- slower than 87% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Everybody Get on the Floor in?
Everybody Get on the Floor by Kevin McKay is in F minor, or 4A on the Camelot wheel.
What BPM is Everybody Get on the Floor?
Everybody Get on the Floor runs at 123 BPM, a club-tempo track.
What mixes well with Everybody Get on the Floor?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Everybody Get on the Floor good for peak time?
With energy 94 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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