Stolen Memory - Guy Mantzur Remix
- BPM
- 123
- Open Key
- 3m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 10:17
- Released
- 2016
- Album
- Stolen Memory (Guy Mantzur Remix)
- Genre
- Progressive House
- Loudness
- -7.6 dB
- ISRC
- DEN061600373
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stolen Memory - Guy Mantzur Remixremix10A · 123
- Stolen Memoryoriginal10A · 126
Against the original (10A at 126 BPM), this version runs 3 BPM slower in the same key.
Stolen Memory - Guy Mantzur Remix: club-tempo progressive house, B minor (10A), 123 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Guy J's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 95% of Guy J's catalogue
- Brightness:
- brighter than 77% of Guy J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stolen Memory - Guy Mantzur Remix in?
Stolen Memory - Guy Mantzur Remix by Guy J is in B minor, or 10A on the Camelot wheel.
What BPM is Stolen Memory - Guy Mantzur Remix?
Stolen Memory - Guy Mantzur Remix runs at 123 BPM, a club-tempo track.
What mixes well with Stolen Memory - Guy Mantzur Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Stolen Memory - Guy Mantzur Remix good for peak time?
With energy 95 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Guy J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
