Charles by Franky Wah cover art

Charles

Franky Wah

Key
3A · B♭ minor
BPM
123
Open Key
8m
Energy
95/100
Pop
0/100
Length
6:34
Released
2019
Album
Charles EP
Genre
Progressive House
Loudness
-8.6 dB
ISRC
GBKQU1908556

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Charles: club-tempo progressive house, B♭ minor (3A), 123 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Franky Wah's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 97% of Franky Wah's catalogue
Groove:
groovier than 88% of Franky Wah's catalogue
Energy:
hotter than 87% of Franky Wah's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood90Bright
Groove79
Acoustic0
Instrumental91
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Charles in?

Charles by Franky Wah is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Charles?

Charles runs at 123 BPM, a club-tempo track.

What mixes well with Charles?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Charles good for peak time?

With energy 95 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More progressive house

More from Franky Wah

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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