Crossfaded - Original Mix
30s preview
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 86/100
- Pop
- 4/100
- Length
- 6:46
- Released
- 2016
- Album
- Crossfaded
- Genre
- Progressive House
- Loudness
- -7.7 dB
- Dynamics
- 8.5 dB
- ISRC
- GBLV61526399
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crossfaded - Pedro Aguiar Remixremix2B · 123
- Crossfaded - Petar Dundov Remixremix4B · 123
Crossfaded - Original Mix is a club-tempo progressive house track in C minor (5A) at 123 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More bass-heavy than 86% of Simon Doty's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 83% of Simon Doty's catalogue
- Tempo:
- slower than 81% of Simon Doty's catalogue
- Brightness:
- brighter than 81% of Simon Doty's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Crossfaded - Original Mix in?
Crossfaded - Original Mix by Simon Doty is in C minor, or 5A on the Camelot wheel.
What BPM is Crossfaded - Original Mix?
Crossfaded - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Crossfaded - Original Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Crossfaded - Original Mix good for peak time?
With energy 86 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![Water Surface (Original Mix] by Kobana cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/01e9c868b22b6ec1673a.webp){kind=small}
More progressive house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
