Many Ways - Original by Sidney Charles cover art

Many Ways - Original

Sidney Charles

Key
8B · C major
BPM
123
Open Key
1d
Energy
86/100
Pop
0/100
Length
6:10
Released
2016
Album
Phoenix EP
Genre
Tech House
Loudness
-7.0 dB
ISRC
DESM41600199

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 123 BPM in C major (8B), Many Ways - Original is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Sidney Charles's catalogue.

Tempo:
slower than 93% of Sidney Charles's catalogue
Brightness:
darker than 83% of Sidney Charles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood23Dark
Groove79
Acoustic2
Instrumental89
Live8
Speech11

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Many Ways - Original in?

Many Ways - Original by Sidney Charles is in C major, or 8B on the Camelot wheel.

What BPM is Many Ways - Original?

Many Ways - Original runs at 123 BPM, a club-tempo track.

What mixes well with Many Ways - Original?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Many Ways - Original good for peak time?

With energy 86 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Sidney Charles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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