The Last Native (Original Mix)
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 86/100
- Pop
- 8/100
- Length
- 6:40
- Released
- 2010
- Album
- Stockholm Tears
- Genre
- House
- Label
- Enormous Tunes
- Loudness
- -7.5 dB
- Dynamics
- 10.4 dB
- ISRC
- CH3130910555
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Last Native (Redondo Remix)remix11A · 123
A club-tempo house cut, The Last Native (Original Mix) sits in B minor (10A) at 123 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Darker than 75% of Nora En Pure's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Last Native (Original Mix) in?
The Last Native (Original Mix) by Nora En Pure is in B minor, or 10A on the Camelot wheel.
What BPM is The Last Native (Original Mix)?
The Last Native (Original Mix) runs at 123 BPM, a club-tempo track.
What mixes well with The Last Native (Original Mix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Last Native (Original Mix) good for peak time?
With energy 86 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Nora En Pure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
