Mr Everybody - Teknicoz & Cross Remix
30s preview
- BPM
- 124
- Open Key
- 7d
- Energy
- 66/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2022
- Album
- Mr Everybody (Teknicoz & Cross Remix)
- Genre
- House
- Loudness
- -10.4 dB
- Dynamics
- 9.7 dB
- ISRC
- GBKQU2226860
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr Everybodyoriginal11B · 125
- Mr Everybody - Christian Martin Remixremix8A · 124
- Mr Everybody - Deep Dub Mixversion6A · 123
- Mr Everybody - MISS DRE Remixremix4A · 126
- Mr Everybody - Pitter Patter Remixremix8B · 126
Against the original (11B at 125 BPM), this version runs 1 BPM slower and moves the key from 11B to 2B.
Mr Everybody - Teknicoz & Cross Remix is a club-tempo house track in F♯ major (2B) at 124 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Gene Farris's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 82% of Gene Farris's catalogue
- Energy:
- calmer than 80% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Mr Everybody - Teknicoz & Cross Remix in?
Mr Everybody - Teknicoz & Cross Remix by Gene Farris is in F♯ major, or 2B on the Camelot wheel.
What BPM is Mr Everybody - Teknicoz & Cross Remix?
Mr Everybody - Teknicoz & Cross Remix runs at 124 BPM, a club-tempo track.
What mixes well with Mr Everybody - Teknicoz & Cross Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Mr Everybody - Teknicoz & Cross Remix good for peak time?
With energy 66 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![You Get Lost In It [The Warehouse Project] - Full Vocal Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/de48a82754bcbf85ea19.webp){kind=small}
How to mix it
In 2B at 124 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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