Mr Everybody - Christian Martin Remix
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 3:30
- Released
- 2022
- Album
- Mr Everybody (Remixes)
- Genre
- House
- Loudness
- -6.5 dB
- Dynamics
- 11.1 dB
- ISRC
- GBKQU2226859
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr Everybodyoriginal11B · 125
- Mr Everybody - Deep Dub Mixversion6A · 123
- Mr Everybody - MISS DRE Remixremix4A · 126
- Mr Everybody - Pitter Patter Remixremix8B · 126
- Mr Everybody - Teknicoz & Cross Remixremix2B · 124
Against the original (11B at 125 BPM), this version runs 1 BPM slower and moves the key from 11B to 8A.
At 124 BPM in A minor (8A), Mr Everybody - Christian Martin Remix is a club-tempo house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Gene Farris's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 82% of Gene Farris's catalogue
- Energy:
- hotter than 75% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Mr Everybody - Christian Martin Remix in?
Mr Everybody - Christian Martin Remix by Gene Farris is in A minor, or 8A on the Camelot wheel.
What BPM is Mr Everybody - Christian Martin Remix?
Mr Everybody - Christian Martin Remix runs at 124 BPM, a club-tempo track.
What mixes well with Mr Everybody - Christian Martin Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Mr Everybody - Christian Martin Remix good for peak time?
With energy 93 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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