High Places
- BPM
- 124
- Open Key
- 8d
- Energy
- 93/100
- Pop
- 18/100
- Length
- 4:20
- Released
- 2023
- Genre
- Tech House
- Loudness
- -12.1 dB
- ISRC
- DEPX42300635
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in D♭ major (3B), High Places is a club-tempo tech house production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Hotter than 96% of Tim Engelhardt's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 87% of Tim Engelhardt's catalogue
- Reach:
- better known than 84% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is High Places in?
High Places by Tim Engelhardt is in D♭ major, or 3B on the Camelot wheel.
What BPM is High Places?
High Places runs at 124 BPM, a club-tempo track.
What mixes well with High Places?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is High Places good for peak time?
With energy 93 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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