Gebrünn Gebrünn
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 7:29
- Released
- 2005
- Genre
- Techno
- Loudness
- -9.0 dB
- Dynamics
- 16.4 dB
- ISRC
- DENZ71300083
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in C major (8B), Gebrünn Gebrünn is a club-tempo techno production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2005 production that still circulates in sets. More underground than 99% of Paul Kalkbrenner's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 90% of Paul Kalkbrenner's catalogue
- Energy:
- hotter than 85% of Paul Kalkbrenner's catalogue
- Low end:
- more treble-tilted than 78% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Gebrünn Gebrünn in?
Gebrünn Gebrünn by Paul Kalkbrenner is in C major, or 8B on the Camelot wheel.
What BPM is Gebrünn Gebrünn?
Gebrünn Gebrünn runs at 126 BPM, a club-tempo track.
What mixes well with Gebrünn Gebrünn?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Gebrünn Gebrünn good for peak time?
With energy 74 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Paul Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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