Rush Hour - Original Mix
30s preview
- Key
- 9A · E minor
- BPM
- 127
- Open Key
- 2m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 6:07
- Released
- 2008
- Album
- Rush Hour / Smoke
- Genre
- House
- Loudness
- -7.5 dB
- Dynamics
- 17.0 dB
- ISRC
- NLF710800348
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in E minor (9A), Rush Hour - Original Mix is a peak-time tempo house production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). A 2008 production that still circulates in sets. More underground than 99% of Franky Rizardo's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 81% of Franky Rizardo's catalogue
- Low end:
- more treble-tilted than 81% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Rush Hour - Original Mix in?
Rush Hour - Original Mix by Franky Rizardo is in E minor, or 9A on the Camelot wheel.
What BPM is Rush Hour - Original Mix?
Rush Hour - Original Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Rush Hour - Original Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Rush Hour - Original Mix good for peak time?
With energy 76 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
