What Do You See? - 8am Beats Tool
30s preview
- Key
- 7B · F major
- BPM
- 127
- Open Key
- 12d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 8:04
- Released
- 2010
- Album
- Close Your Eyes
- Genre
- Techno
- Loudness
- -8.7 dB
- Dynamics
- 12.4 dB
- ISRC
- BEN582100138
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What Do You See?original5B · 127
A peak-time tempo techno cut, What Do You See? - 8am Beats Tool sits in F major (7B) at 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Joel Mull's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 91% of Joel Mull's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is What Do You See? - 8am Beats Tool in?
What Do You See? - 8am Beats Tool by Joel Mull is in F major, or 7B on the Camelot wheel.
What BPM is What Do You See? - 8am Beats Tool?
What Do You See? - 8am Beats Tool runs at 127 BPM, a peak-time tempo track.
What mixes well with What Do You See? - 8am Beats Tool?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is What Do You See? - 8am Beats Tool good for peak time?
With energy 76 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 127 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Joel Mull
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
