What Do You See?
30s preview
- BPM
- 127
- Open Key
- 10d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 8:05
- Released
- 2010
- Album
- Close Your Eyes
- Genre
- Techno
- Loudness
- -8.9 dB
- Dynamics
- 12.8 dB
- ISRC
- BEN582100135
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What Do You See? - 8am Beats Tooloriginal7B · 127
What Do You See? runs 127 BPM in E♭ major (5B), a peak-time tempo techno record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Joel Mull's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 79% of Joel Mull's catalogue
- Energy:
- hotter than 76% of Joel Mull's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is What Do You See? in?
What Do You See? by Joel Mull is in E♭ major, or 5B on the Camelot wheel.
What BPM is What Do You See??
What Do You See? runs at 127 BPM, a peak-time tempo track.
What mixes well with What Do You See??
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is What Do You See? good for peak time?
With energy 87 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 127 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Joel Mull
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
