Warszawa
30s preview
- BPM
- 126
- Open Key
- 11d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 7:32
- Released
- 2007
- Album
- Czeslawa / Warszawa
- Genre
- Techno
- Loudness
- -11.9 dB
- Dynamics
- 11.6 dB
- ISRC
- DELG70700010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Warszawaoriginal6B · 126
Warszawa is a club-tempo techno track in B♭ major (6B) at 126 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Ben Klock's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 94% of Ben Klock's catalogue
- Low end:
- more bass-heavy than 88% of Ben Klock's catalogue
- Brightness:
- brighter than 79% of Ben Klock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Warszawa in?
Warszawa by Ben Klock is in B♭ major, or 6B on the Camelot wheel.
What BPM is Warszawa?
Warszawa runs at 126 BPM, a club-tempo track.
What mixes well with Warszawa?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Warszawa good for peak time?
With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 126 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Ben Klock
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.