Terminal B
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 87/100
- Pop
- 3/100
- Length
- 8:23
- Released
- 2010
- Album
- Boarding Pass / Terminal B
- Genre
- Minimal
- Label
- iVAV Recordings
- Loudness
- -7.3 dB
- Dynamics
- 11.9 dB
- ISRC
- GBNUQ1000294
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in G major (9B), Terminal B is a club-tempo minimal production. Tonally it lands dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More treble-tilted than 92% of Victor Calderone's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 80% of Victor Calderone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Terminal B in?
Terminal B by Victor Calderone is in G major, or 9B on the Camelot wheel.
What BPM is Terminal B?
Terminal B runs at 126 BPM, a club-tempo track.
What mixes well with Terminal B?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Terminal B good for peak time?
With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More minimal
More from Victor Calderone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
