Everything Is Wrong by Lampé cover art

Everything Is Wrong

Lampé

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
76/100
Pop
4/100
Length
6:12
Released
2023
Album
Joy
Genre
Techno
Label
Alpaka Muzik
Loudness
-10.4 dB
Dynamics
8.6 dB
ISRC
US83Z2318103

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Everything Is Wrong runs 127 BPM in G major (9B), a peak-time tempo techno record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 91% of Lampé's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood35Balanced
Groove80
Acoustic0
Instrumental87
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Everything Is Wrong in?

Everything Is Wrong by Lampé is in G major, or 9B on the Camelot wheel.

What BPM is Everything Is Wrong?

Everything Is Wrong runs at 127 BPM, a peak-time tempo track.

What mixes well with Everything Is Wrong?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Everything Is Wrong good for peak time?

With energy 76 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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