7 Minutes 2 Midnight - Superstrobe Remix by Nakadia cover art

7 Minutes 2 Midnight - Superstrobe Remix

Nakadia

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
75/100
Pop
0/100
Length
5:38
Released
2019
Album
After Midnight
Genre
Techno
Loudness
-10.8 dB
Dynamics
8.6 dB
ISRC
US83Z1907565

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 126 BPM), this version runs 1 BPM faster and moves the key from 3B to 9B.

7 Minutes 2 Midnight - Superstrobe Remix is a peak-time tempo techno track in G major (9B) at 127 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Nakadia's catalogue. In a set it works best as a floor-filler.

Brightness:
darker than 94% of Nakadia's catalogue
Low end:
more bass-heavy than 94% of Nakadia's catalogue
Energy:
calmer than 79% of Nakadia's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood5Dark
Groove80
Acoustic1
Instrumental95
Live10
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
12%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is 7 Minutes 2 Midnight - Superstrobe Remix in?

7 Minutes 2 Midnight - Superstrobe Remix by Nakadia is in G major, or 9B on the Camelot wheel.

What BPM is 7 Minutes 2 Midnight - Superstrobe Remix?

7 Minutes 2 Midnight - Superstrobe Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with 7 Minutes 2 Midnight - Superstrobe Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is 7 Minutes 2 Midnight - Superstrobe Remix good for peak time?

With energy 75 out of 100 at 127 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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