Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix by Danny Howard cover art

Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix

Danny Howard

Key
3B · D♭ major
BPM
132
Open Key
8d
Energy
72/100
Pop
2/100
Length
5:35
Released
2022
Album
Remember (feat. Stevie Appleton) [Hannah Laing Extended Remix]
Genre
Tech House
Loudness
-8.3 dB
ISRC
US39N2203501

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4A at 128 BPM), this version runs 4 BPM faster and moves the key from 4A to 3B.

Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix: peak-time tempo tech house, D♭ major (3B), 132 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Faster than 95% of Danny Howard's catalogue. In a set it works best as a floor-filler.

Energy:
calmer than 87% of Danny Howard's catalogue
Brightness:
darker than 78% of Danny Howard's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood38Balanced
Groove76
Acoustic4
Instrumental73
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix in?

Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix by Danny Howard is in D♭ major, or 3B on the Camelot wheel.

What BPM is Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix?

Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix runs at 132 BPM, a peak-time tempo track.

What mixes well with Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Remember (feat. Stevie Appleton) - Hannah Laing Extended Remix good for peak time?

With energy 72 out of 100 at 132 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More tech house

#TrackKey·BPM

More from Danny Howard

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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