Funk Phenomena 2K - Mo-Ryn's Electrobreaker
- BPM
- 132
- Open Key
- 8m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 5:45
- Released
- 2003
- Album
- Funk Phenomena 2K
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- AUCE00500284
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Funk Phenomena 2K - Da Hool Remixremix3B · 128
- Funk Phenomena 2Koriginal3B · 127
- Funk Phenomena 2K - Radio Cutversion3B · 128
- Funk Phenomena 2K - Santos Pandemonio Remixremix4B · 131
Funk Phenomena 2K - Mo-Ryn's Electrobreaker: peak-time tempo house, B♭ minor (3A), 132 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2003 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 87% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Funk Phenomena 2K - Mo-Ryn's Electrobreaker in?
Funk Phenomena 2K - Mo-Ryn's Electrobreaker by Armand Van Helden is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Funk Phenomena 2K - Mo-Ryn's Electrobreaker?
Funk Phenomena 2K - Mo-Ryn's Electrobreaker runs at 132 BPM, a peak-time tempo track.
What mixes well with Funk Phenomena 2K - Mo-Ryn's Electrobreaker?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Funk Phenomena 2K - Mo-Ryn's Electrobreaker good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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