Funk Phenomena 2K - Da Hool Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 83/100
- Pop
- 4/100
- Length
- 6:32
- Released
- 2003
- Album
- Funk Phenomena 2K
- Genre
- House
- Loudness
- -8.5 dB
- Dynamics
- 13.5 dB
- ISRC
- AUCE00500282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Funk Phenomena 2Koriginal3B · 127
- Funk Phenomena 2K - Mo-Ryn's Electrobreakeroriginal3A · 132
- Funk Phenomena 2K - Radio Cutversion3B · 128
- Funk Phenomena 2K - Santos Pandemonio Remixremix4B · 131
Against the original (3B at 127 BPM), this version runs 1 BPM faster in the same key.
Funk Phenomena 2K - Da Hool Remix: peak-time tempo house, D♭ major (3B), 128 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2003 production that still circulates in sets. More bass-heavy than 93% of Armand Van Helden's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Funk Phenomena 2K - Da Hool Remix in?
Funk Phenomena 2K - Da Hool Remix by Armand Van Helden is in D♭ major, or 3B on the Camelot wheel.
What BPM is Funk Phenomena 2K - Da Hool Remix?
Funk Phenomena 2K - Da Hool Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Funk Phenomena 2K - Da Hool Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Funk Phenomena 2K - Da Hool Remix good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.