IRave
- BPM
- 128
- Open Key
- 4m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 6:42
- Released
- 2006
- Genre
- Minimal
- Loudness
- -9.9 dB
- ISRC
- DEF730607002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo minimal cut, IRave sits in F♯ minor (11A) at 128 BPM. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. More underground than 99% of Acid Pauli's catalogue.
- Energy:
- hotter than 96% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is IRave in?
IRave by Acid Pauli is in F♯ minor, or 11A on the Camelot wheel.
What BPM is IRave?
IRave runs at 128 BPM, a peak-time tempo track.
What mixes well with IRave?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is IRave good for peak time?
With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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