Build Up (Tommy Trash Edit)
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 5:09
- Released
- 2012
- Album
- Build Up
- Genre
- Electro House
- Label
- Do It Yourself Entertainment
- Loudness
- -2.2 dB
- Dynamics
- 12.6 dB
- ISRC
- USUS11100844
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (10B at 126 BPM), this version holds the same tempo in the same key.
A club-tempo electro house cut, Build Up (Tommy Trash Edit) sits in D major (10B) at 126 BPM. The groove is strong and floor-ready. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Chris Lake's catalogue.
- Brightness:
- darker than 98% of Chris Lake's catalogue
- Low end:
- more treble-tilted than 94% of Chris Lake's catalogue
- Tempo:
- slower than 82% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Build Up (Tommy Trash Edit) in?
Build Up (Tommy Trash Edit) by Chris Lake is in D major, or 10B on the Camelot wheel.
What BPM is Build Up (Tommy Trash Edit)?
Build Up (Tommy Trash Edit) runs at 126 BPM, a club-tempo track.
What mixes well with Build Up (Tommy Trash Edit)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Build Up (Tommy Trash Edit) good for peak time?
With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More electro house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
