Power Up
- BPM
- 155
- Half-time
- 78
- Open Key
- 4m
- Energy
- 89/100
- Pop
- 29/100
- Length
- 5:03
- Released
- 2026
- Genre
- Techno
- Loudness
- -3.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Power Up: fast techno, F♯ minor (11A), 155 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The master is loud and heavily compressed. Groovier than 93% of Charlie Sparks's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 89% of Charlie Sparks's catalogue
- Reach:
- better known than 89% of Charlie Sparks's catalogue
- Tempo:
- faster than 84% of Charlie Sparks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Power Up in?
Power Up by Charlie Sparks is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Power Up?
Power Up runs at 155 BPM, a fast track.
What mixes well with Power Up?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Power Up good for peak time?
With energy 89 out of 100 at 155 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 155 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from Charlie Sparks
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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