To destroy - Original Mix
- BPM
- 155
- Half-time
- 78
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 4:45
- Released
- 2023
- Album
- Voxx Robot
- Genre
- Techno
- Loudness
- -4.4 dB
- ISRC
- CA5KR2396750
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
To destroy - Original Mix: fast techno, B minor (10A), 155 BPM. The master is loud and heavily compressed. More underground than 99% of AnGy KoRe's catalogue.
- Tempo:
- faster than 79% of AnGy KoRe's catalogue
- Brightness:
- brighter than 79% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is To destroy - Original Mix in?
To destroy - Original Mix by AnGy KoRe is in B minor, or 10A on the Camelot wheel.
What BPM is To destroy - Original Mix?
To destroy - Original Mix runs at 155 BPM, a fast track.
What mixes well with To destroy - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is To destroy - Original Mix good for peak time?
With energy 96 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 155 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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