Blow Up The Speakers vs. Hard One
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 5m
- Energy
- 99/100
- Pop
- 41/100
- Length
- 2:32
- Released
- 2024
- Genre
- Techno
- Loudness
- -4.3 dB
- Dynamics
- 17.0 dB
- ISRC
- BEIW12400715
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Blow Up The Speakers vs. Hard One is a fast techno track in D♭ minor (12A) at 155 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). Faster than 80% of Basswell's catalogue. For programming, treat it as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Blow Up The Speakers vs. Hard One in?
Blow Up The Speakers vs. Hard One by Basswell is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Blow Up The Speakers vs. Hard One?
Blow Up The Speakers vs. Hard One runs at 155 BPM, a fast track.
What mixes well with Blow Up The Speakers vs. Hard One?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Blow Up The Speakers vs. Hard One good for peak time?
With energy 99 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Do You Know Why You Love Techno (feat. Elina) [Intro] by Nico Moreno cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/30a47286333c8c4af06a.webp){kind=small}
How to mix it
In 12A at 155 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from Basswell
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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