Oh My God!
30s preview
- Key
- 9A · E minor
- BPM
- 155
- Half-time
- 78
- Open Key
- 2m
- Energy
- 99/100
- Pop
- 40/100
- Length
- 6:07
- Released
- 2024
- Genre
- Techno
- Loudness
- -3.2 dB
- Dynamics
- 12.7 dB
- ISRC
- NLE802400123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 155 BPM in E minor (9A), Oh My God! is a fast techno production. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 99% of Luca Agnelli's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 93% of Luca Agnelli's catalogue
- Energy:
- hotter than 84% of Luca Agnelli's catalogue
- Brightness:
- darker than 80% of Luca Agnelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Oh My God! in?
Oh My God! by Luca Agnelli is in E minor, or 9A on the Camelot wheel.
What BPM is Oh My God!?
Oh My God! runs at 155 BPM, a fast track.
What mixes well with Oh My God!?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Oh My God! good for peak time?
With energy 99 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 155 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from Luca Agnelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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