We Came to Destroy the Club
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 5m
- Energy
- 99/100
- Pop
- 2/100
- Length
- 4:22
- Released
- 2024
- Genre
- Techno
- Loudness
- -3.3 dB
- Dynamics
- 12.2 dB
- ISRC
- DEPI82326789
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Came to Destroy the Club: fast techno, D♭ minor (12A), 155 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 96% of AnGy KoRe's catalogue.
- Energy:
- hotter than 83% of AnGy KoRe's catalogue
- Groove:
- less groove-driven than 82% of AnGy KoRe's catalogue
- Tempo:
- faster than 79% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is We Came to Destroy the Club in?
We Came to Destroy the Club by AnGy KoRe is in D♭ minor, or 12A on the Camelot wheel.
What BPM is We Came to Destroy the Club?
We Came to Destroy the Club runs at 155 BPM, a fast track.
What mixes well with We Came to Destroy the Club?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is We Came to Destroy the Club good for peak time?
With energy 99 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Do You Know Why You Love Techno (feat. Elina) [Intro] by Nico Moreno cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/30a47286333c8c4af06a.webp){kind=small}
How to mix it
In 12A at 155 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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