Something from the past - Original Mix
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 5/100
- Length
- 3:46
- Released
- 2025
- Album
- Hey Mister
- Genre
- Techno
- Loudness
- -4.4 dB
- Dynamics
- 11.8 dB
- ISRC
- CA5KR2543649
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast techno cut, Something from the past - Original Mix sits in D♭ major (3B) at 155 BPM. Tonally it lands bright and euphoric. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 99% of AnGy KoRe's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 96% of AnGy KoRe's catalogue
- Groove:
- less groove-driven than 91% of AnGy KoRe's catalogue
- Reach:
- better known than 83% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Something from the past - Original Mix in?
Something from the past - Original Mix by AnGy KoRe is in D♭ major, or 3B on the Camelot wheel.
What BPM is Something from the past - Original Mix?
Something from the past - Original Mix runs at 155 BPM, a fast track.
What mixes well with Something from the past - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Something from the past - Original Mix good for peak time?
With energy 89 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 155 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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