Paranoize
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 7:36
- Released
- 2010
- Genre
- Techno
- Label
- Drumcode
- Loudness
- -7.7 dB
- Dynamics
- 9.4 dB
- ISRC
- GBYNV1000563
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Paranoizeoriginal3B · 127
- Paranoize - Adam Beyer & Jesper Dahlback Remixremix2B · 127
Paranoize is a peak-time tempo techno track in D♭ major (3B) at 127 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 99% of Alan Fitzpatrick's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Alan Fitzpatrick's catalogue
- Energy:
- calmer than 93% of Alan Fitzpatrick's catalogue
- Brightness:
- brighter than 83% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Paranoize in?
Paranoize by Alan Fitzpatrick is in D♭ major, or 3B on the Camelot wheel.
What BPM is Paranoize?
Paranoize runs at 127 BPM, a peak-time tempo track.
What mixes well with Paranoize?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Paranoize good for peak time?
With energy 54 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
