Paranoize - Adam Beyer & Jesper Dahlback Remix
30s preview
- BPM
- 127
- Open Key
- 7d
- Energy
- 75/100
- Pop
- 1/100
- Length
- 7:41
- Released
- 2011
- Album
- Shadows in the Dark (Remixes)
- Genre
- Techno
- Label
- Drumcode
- Loudness
- -7.8 dB
- Dynamics
- 10.5 dB
- ISRC
- GBYNV1001045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (3B at 127 BPM), this version holds the same tempo and moves the key from 3B to 2B.
At 127 BPM in F♯ major (2B), Paranoize - Adam Beyer & Jesper Dahlback Remix is a peak-time tempo techno production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More bass-heavy than 76% of Alan Fitzpatrick's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Paranoize - Adam Beyer & Jesper Dahlback Remix in?
Paranoize - Adam Beyer & Jesper Dahlback Remix by Alan Fitzpatrick is in F♯ major, or 2B on the Camelot wheel.
What BPM is Paranoize - Adam Beyer & Jesper Dahlback Remix?
Paranoize - Adam Beyer & Jesper Dahlback Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Paranoize - Adam Beyer & Jesper Dahlback Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Paranoize - Adam Beyer & Jesper Dahlback Remix good for peak time?
With energy 75 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
