Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin)
30s preview
- Key
- 6A · G minor
- BPM
- 75
- Double-time
- 150
- Open Key
- 11m
- Energy
- 23/100
- Pop
- 12/100
- Length
- 2:15
- Released
- 2024
- Album
- Live At Pierre Boulez Saal, Berlin
- Genre
- Minimal
- Loudness
- -19.9 dB
- Dynamics
- 15.8 dB
- ISRC
- CHB982410002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin): minimal, G minor (6A), 75 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 98% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 97% of Acid Pauli's catalogue
- Groove:
- less groove-driven than 97% of Acid Pauli's catalogue
- Energy:
- calmer than 96% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin) in?
Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin) by Acid Pauli is in G minor, or 6A on the Camelot wheel.
What BPM is Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin)?
Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin) runs at 75 BPM.
What mixes well with Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Mademoiselle Oiseau (Live At Pierre Boulez Saal, Berlin) good for peak time?
With energy 23 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 75 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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